THE LAST NEANDERTHAL is published in April 2017 by Little Brown in the US, Doubleday in Canada, and in Italian by Società Editrice Milanese (SEM). Coming soon in Dutch from Cargo/De Bezige Bij, Forlaget Bazar in Danish, and Maeva in Spanish.
Claire Cameron’s second novel, THE BEAR, is published by Little Brown & Co. in the US, Doubleday in Canada and Harvill Secker in the UK. Translations are out in Dutch, French, Vietnamese, and forthcoming in Turkish, Portuguese (Brazil). It was long listed for the Baileys Women’s Prize for Fiction (formerly the Orange Prize) and is a number 1 bestseller in Canada. It won the Northern Lit Award from the Ontario Library Service.
Her first novel, THE LINE PAINTER, was published in 2007 by HarperCollins Canada. It also won the Northern Lit Award from the Ontario Library Service and was nominated for an Arthur Ellis Crime Writing Award for best first novel.
Claire’s writing has appeared in The New York Times, The Globe and Mail, Lenny Letter, and Salon. She is a staff writer at The Millions. See the other writing section of this website for more. She lives in Toronto.
When I was young I read The Clan of the Cave Bear and watched “Quest for Fire,” but Neanderthals felt as distant as dinosaurs. In school I was taught Neanderthals were an evolutionary step between the apes and us—hairy, primitive knuckle-draggers.
In 2010, a team sequenced a first draft of the Neanderthal genome and made an extraordinary discovery. Modern humans of European and Asian descent have inherited between 1-4% of their DNA from Neanderthals. Most scientists agree this is evidence of interbreeding between the two groups. Rather than a more evolved version of Neanderthals, we are close cousins.
But we think of ourselves as the ones who drove the Neanderthals to extinction, rather than having sex with them. So how did modern humans and Neanderthals make contact? We can’t know the answer, but a novelist should take on the risk involved in imagining one.
I worked with experts and used the new science of Neanderthals like a set of rules, or creative constraints, to build the story. My experience living and working in the outdoors gave me some insight into how surviving in the wild might have felt more than 40,000 years ago.
My novel is about Neanderthals, but it’s also a story that questions what it means to be human.
Selected Press (more here)
10 Women to Watch in 2017 from BookPage
Starred review from Publishers Weekly
Interview on The Next Chapter with Shelagh Rogers
The Millions – Life-Long Obsessions: The Millions Interviews Claire Cameron
The Globe and Mail – I’d want to try eating mammoth
Interview on CTV’s Your Morning.
[Media: Dropbox of hi-res author photos]
Photo Credit: David Kerr